Hollywood
15 hours ago

Hollywood backs The New York Times in AI copyright suit against OpenAI and Microsoft

Hollywood has backed The New York Times in its AI copyright lawsuit against OpenAI and Microsoft, according to a Techub News brief citing Crypto Briefing. The report says the case could reshape how copyright rules are interpreted in the AI era. It may also affect how creators are compensated and how AI-related labor agreements are handled across the creative industries. While the brief does not provide further details on the parties involved or the scope of Hollywood’s support, it frames the lawsuit as one with broader implications beyond the immediate dispute. The case is being watched for its potential impact on copyright standards, creator pay, and labor arrangements tied to AI use in creative work.

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Hollywood backs The New York Times in AI copyright suit against OpenAI and Microsoft
AI
Oct 25, 2026

US creative industries lost more than 200,000 jobs in four years, with AI named as the leading suspect

US creative industries have shed more than 200,000 jobs over the past four years, including roughly 50,000 in the last year alone, according to economic analyst Joseph Politano, who reviewed official employment data from the Bureau of Labor Statistics and the Bureau of Economic Analysis. Writing in his Apricitas Economics newsletter, Politano said artificial intelligence is the leading suspect behind the losses, though he also stressed that proving a direct causal link is difficult because AI adoption overlaps with other pressures such as Hollywood consolidation, offshore production, and audience migration to social platforms. Politano’s breakdown shows broad weakness across digital creative fields. From January 2023, after ChatGPT’s release, to mid-2026, employment in film and sound recording fell about 21%, newspapers, magazines, and book publishing also dropped about 21%, graphic design declined about 12%, radio and television fell about 11%, and streaming and social media slipped about 2%. By contrast, museums grew about 14% and performing arts rose about 13%, suggesting live entertainment has held up better than screen-based and publishing businesses. He argued Hollywood has been hit especially hard, with more than 100,000 jobs lost in film and television over four years. Politano also warned that newspapers may represent the bleakest long-term model for media in the AI era, while noting that AI-driven job losses remain limited outside a handful of narrow sectors for now.

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US creative industries lost more than 200,000 jobs in four years, with AI named as the leading suspect
Gal Gadot
Sep 1, 2026

Gal Gadot Backs AI Use in $70M Bitcoin Thriller While Drawing a Line Around Her Performance

Gal Gadot said she accepted a role in the Bitcoin-themed thriller "Bitcoin: Killing Satoshi" even though she is wary of artificial intelligence, arguing that actors cannot simply ignore the technology. Speaking on the Happy Sad Confused podcast in comments cited by Variety, Gadot said the industry has already moved: creators can either work with AI or risk being left behind. She said her lawyers spent six months reviewing every possible AI-related scenario in the contract. According to Gadot, the film uses AI for sets and lighting, while her on-screen performance remains entirely her own. She added that the protections her team negotiated drew enough attention that SAG contacted her lawyers for guidance as it looks to update contracts for other actors. The film, directed by Doug Liman and co-starring Casey Affleck, Pete Davidson, and Isla Fisher, has a reported budget of $70 million and follows the search for Bitcoin’s pseudonymous creator. Producer Ryan Kavanaugh has said a conventional shoot would have cost more than $300 million. Instead, the cast worked inside a gray-screen warehouse while sets and lighting were generated later.

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Gal Gadot Backs AI Use in $70M Bitcoin Thriller While Drawing a Line Around Her Performance